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DC3
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Description & Story
Da Capo III is another entry in the hit series of visual novels by Japanese developer Circus. The series is known for its extensive stories, likable characters, and its many side-story releases and fandiscs. The story for Da Capo 3 is divided into 2 parts.
First is the story that takes place on the beautiful Hatsune Island, a place that has a different face each season. There, it follows Kiyotaka, a second-year student at the Kazami Academy, and the sole male member of the official newspaper club. Other members include the club president (and school idol) Rikka, his childhood friend Himeno, his half-blood cousin Yoshino, his underclassman Aoi, and Sara, a girl that skipped a grade and is now his classmate.
Together they spent their days in the clubroom. It's not like there are a lot of interesting things happening on the island anyway, unlike the past.
Until one day in winter, when all of the island's Cherry blossom trees all begin to bloom at once. At the same time, all of the club members receive a mysterious message on their phones telling them that they should be at 'that promised place' when the Cherry blossoms are in full bloom. A part of the message is cut off, but it gets even stranger when they notice that the date of the message is in the distant past.
Rikka calls upon all club members, and together they begin to investigate this story.
London story
Then Da Capo 3 will go over into the main story. In this story Kiyotaka is the son of a prominent magic family in Japan when he travels to London together with his younger sister Himeno. There, they attend the Royal London Magic Academy, also known as Weather Vane.
What awaits them in London is a place shrouded in mists and a huge underground academic city. Within the underground, there are three floating islands in the shape of the crescent moon. It's there, in the best environment to study magic, that many young magicians gather for their studies.
Despite being in new environment the 2 siblings are quickly able to make new friends and begin their life at the Academy. Zbrush 20201 1.
Fun and happy days…
Days just like a musical Da Capo…
As if it were a dream…
Editions
There are many different editions available for Da Capo 3. The original Japanese edition was released in 2012 and was released as an all-ages edition. Something that was different from the previous entries in the series. A few months later, a 1.3 release was published which added a new story variation as well as a new route for Aoi. Then, roughly a year after the original release, the 'R' version was made available. Which added the 1.3 release content as well as Windows 8 compatibility. At the same, the X-rated version was published alongside.
There's also a fandisc available, called 'Da Capo 3 With You'.
English Download edition
Get the translated X-rated download edition from Mangagamer here for the full experience, or the all-ages version from Steam here.
CG Samples
Walkthrough
Until one day in winter, when all of the island's Cherry blossom trees all begin to bloom at once. At the same time, all of the club members receive a mysterious message on their phones telling them that they should be at 'that promised place' when the Cherry blossoms are in full bloom. A part of the message is cut off, but it gets even stranger when they notice that the date of the message is in the distant past.
Rikka calls upon all club members, and together they begin to investigate this story.
London story
Then Da Capo 3 will go over into the main story. In this story Kiyotaka is the son of a prominent magic family in Japan when he travels to London together with his younger sister Himeno. There, they attend the Royal London Magic Academy, also known as Weather Vane.
What awaits them in London is a place shrouded in mists and a huge underground academic city. Within the underground, there are three floating islands in the shape of the crescent moon. It's there, in the best environment to study magic, that many young magicians gather for their studies.
Despite being in new environment the 2 siblings are quickly able to make new friends and begin their life at the Academy. Zbrush 20201 1.
Fun and happy days…
Days just like a musical Da Capo…
As if it were a dream…
Editions
There are many different editions available for Da Capo 3. The original Japanese edition was released in 2012 and was released as an all-ages edition. Something that was different from the previous entries in the series. A few months later, a 1.3 release was published which added a new story variation as well as a new route for Aoi. Then, roughly a year after the original release, the 'R' version was made available. Which added the 1.3 release content as well as Windows 8 compatibility. At the same, the X-rated version was published alongside.
There's also a fandisc available, called 'Da Capo 3 With You'.
English Download edition
Get the translated X-rated download edition from Mangagamer here for the full experience, or the all-ages version from Steam here.
CG Samples
Walkthrough
http://seiya-saiga.com/game/circus/d.c.3.htmlhttp://seiya-saiga.com/game/circus/d.c.3rx.html
http://www.otakulair.com/english-visual-novel-walkthroughs/da-capo-3-r-walkthrough-mangagamer/
http://circus.nandemo.gr.jp/sakuhin/dc3r/index.html
http://www.mangagamer.com/
http://circus.nandemo.gr.jp/sakuhin/dc3/index.html
http://circus.nandemo.gr.jp/sakuhin/dc3_plus/index.html
http://circus.nandemo.gr.jp/sakuhin/dc3_usb/index.html
- - - - - { Click here for the Baritone Guitar Page } - - - - -
Note 1: I've deliberately elected to go with more commonly used keys avoiding obscure, awkward keys like A#, C#, D# and Gb. This chart is also set up for major keys so it may have discrepancies in minor keys which you can correct by finding the root note of your minor chord under the 6 column and getting numbers of your chords from that row then find the new minor key in the 6 column and use numbers from that row to convert back to chords.
Note 2: If the composer uses natural sequence chords (all notes remaining within the scale of the key) the 1, 4, and 5 chords will be major, while the 2, 3, and 6 chords will be minor.
Note 3: The 7 chord is based on a flat 7th rather than the actual 7th note of the scale.
Note 4: Composers aren't restricted to any particular structure, they can use any chord they like, anywhere they like so this chart won't work for every piece of music but it should be effective for most songs. If you encounter a song which gives you difficulties, for any reason, and would like help, send us a message (from our Contact page) and I'll be glad to help you out.
Find the root key in the left column and proceed to your right, finding each of the chords in the piece and joting down their numbers (chords are shown by the number system, based on the key and the root key becomes 1). Now move to the key to which you wish to transpose and convert the numbers back to chords. Add modifications to the chord (such as minor, 7th, 9th, etc.) to match your source chords.
Chord Transposing Chart | ||||||
Key (1) | 2 | 3 | 4 | 5 | 6 | 7 |
A | B | C# | D | E | F# | G |
Bb | C | D | Eb | F | G | Ab |
B | C# | D# | E | F# | G# | A |
C | D | E | F | G | A | Bb |
Db | Eb | F | Gb | Ab | Bb | Cb (B) |
D | E | F# | G | A | B | C |
Eb | F | G | Ab | Bb | C | Db |
E | F# | G# | A | B | C# | D |
F | G | A | Bb | C | D | Eb |
F# | G# | A# | B | C# | D# | E |
G | A | B | C | D | E | F |
Ab | Bb | C | Db | Eb | F | Gb |
Would you like to learn more about music theory for self-taught musicians and get a better understanding of the Nashville Number System? This simple tutorial may be helpful.
The tutorial is also available as a public document on my google drive as either a Libre Office ODT document or a PDF document.
Capo 3 3 6 13
To use the capo chart, below, find the actual chord in the left column. The open chord pattern (which results in your chosen chord) is shown under fret number for capo placement. The letters 'n/a' (not applicable) are shown where there is no open chord equivalent for the chosen chord. Capo 1 is the first fret, Capo 2 is the second fret, etc.Capo 3 3 6 12
Capo Chart | |||||||
Chord | Capo 1 | Capo 2 | Capo 3 | Capo 4 | Capo 5 | Capo 6 | Capo 7 |
A | n/a | G | F# (Gb) | F | E | n/a | D |
A# (Bb) | A | n/a | G | F# (Gb) | F | E | n/a |
B | A# (Bb) | A | n/a | G | F# (Gb) | F | E |
C | B | A# (Bb) | A | n/a | G | F# (Gb) | F |
C# (Db) | C | B | A# (Bb) | A | n/a | G | F# (Gb) |
D | n/a | C | B | A# (Bb) | A | n/a | G |
D# (Eb) | D | n/a | C | B | A# (Bb) | A | n/a |
E | n/a | D | n/a | C | B | A# (Bb) | A |
F | E | n/a | D | n/a | C | B | A# (Bb) |
F# (Gb) | F | E | n/a | D | n/a | C | B |
G | F# (Gb) | F | E | n/a | D | n/a | C |
G# (Ab) | G | F# (Gb) | F | E | n/a | D | n/a |
Every once in a while I get an email from someone who finds my capo chart totally confusing and asks something like 'If I put the capo on the 4th fret and play a G chord, what it it?'. For you folks I've provided the following chart. Find the open chord pattern on the left. The'C' in the pink box stands for 'Capo' and the number following it is the fret number, so 'C1' means the capo is on the first fret, 'C2' means the capo is on the second fret, and so on. In the box where the pattern intersects with the capo placement is the name of the chord you're thereby making. For example, the pattern for an open A chord, with the capo on the first fret (C1), becomes an A# (or Bb) chord. With the capo on the fourth fret (C4) the pattern for an open G chord becomes a B chord. In this chart I'm only referring to the small family of Open Chords. Specifically A, B7, C, D, E, F and G (Note: there is no open B chord, B7 is as close as you can get). In most cases modifiers can 'tag along', for example, an A minor chord pattern, with the capo on the second fret, is a B minor chord. The same would be true of the patterns for A7 or Amaj7 chord i.e. an A7 chord pattern, with the capo on the second fret, is a B7 chord and an Amaj7 chord pattern, with the capo on the second fret, would be a Bmaj7 chord. The following are the open chord patterns specifically referred to by this chart:
Capo Chart (the other way around) | |||||||||||||||||||||
Pattern | C1 | C2 | C3 | C 4 | C5 | C6 | C7 | C8 | C9 | C10 | C11 | ||||||||||
open A | A# Bb | B | C | C# Db | D | D# Eb | E | F | F# Gb | G | G# Ab | ||||||||||
open B7 | C7 | C#7 Db7 | D7 | D#7 Eb7 | E7 | F7 | F#7 Gb7 | G7 | G#7 Ab7 | A7 | A#7 Bb7 | ||||||||||
open C | C# Db | D | D# Eb | E | F | F# Gb | G | G# Ab | A | A# Bb | B | ||||||||||
open D | D# Eb | E | F | F# Gb | G | G# Ab | A | B | C | open E | F | F# Gb | G | G# Ab | A | A# Bb | B | C | C# Db | D | D# Eb |
open F | F# Gb | G | G# Ab | A | A# Bb | B | C | C# Db | D | D# Eb | E | ||||||||||
open G | G# Ab | A | A# Bb | B | C | C# Db | D | D# Eb | E | F | F# Gb |